(Click 'play' to start) 

Pro-Am DC-200/250 Camera Jib (8' & 12' configurations)

We shot this review a year ago, and only now have found time to edit and publish it.  Not only does this give our static camera a great view on wedding ceremonies where we have room for it, but at receptions, it allows for continuity (important when shooting dance scenes) for times like when the photographer walks in front of our #1 camera on tripod and #2 camera (handheld) is moving to a new position, etc.

Even in its eight foot configuration, you're not likely to run into a photographer who can block a camera on this jib! 

I know what you're thinking - "I've got enough gear to lug around and I don't have time to setup something like that."

As someone who covers ceremonies and receptions with never fewer than three video cameras, I completely understand that statement, but...  The Pro-Am jib is lightweight and sets up and breaks down quickly, and the advantage it gives you when editing, is priceless.

Not mentioned in the video is that a remote controller and an LCD screen are optional, and recommended (at least the LCD).  I didn't get them and I sometimes have difficulty framing my shots because the camera's LCD looks so small when it's that far away.

Also not mentioned is that Bargain-Camera.com are great people to deal with.  They aren't an advertiser (yet) but we signed up for their affliiate program (so please use our banner ad link to get there, if you're buying).

Bargain-Camera.com offers a canvas carry-bag for the Pro-Am camera jib, and it is helpful when transporting the jib and for carrying it to and from the venue.  Unfortunately, the bag is fairly cheaply made.  Ours started ripping within a few months.  The zipper isn't heavy duty either and we're already starting to have trouble with it.

I only mention this because the bag costs nearly a hundred dollars, and I feel you should get a better quality bag for that price.  I've checked golf club bags and similar things, but as of yet I haven't found anything better.

The jib moves great (tilts, pans, etc.) in its eight foot configuration.  Add the four foot extension though and it will vibrate and shake a bit when moved.  Even at twelve feet, it stays rock steady for static shots and that's what we mostly use this for.  A wide angle lens is recommended for dance floors and most other coverage.

Also - I see that you noticed the black margins around the video. (Don't ask how I know, but I know!)  I'm puzzled, but don't have time to investigate further right now.  The video was exported at 320x240 and the mambot (Joomla plug-in) parameters are set for 320 width (a bit more for height to allow for the control panel).  The source looks right, but the danged video doesn't.  If you have suggestions, let me hear them.

Oh, and did you see how fast I move between different stages of that setup?  That's how I handle four and five cameras at events! 

Added next day: Trevor Tannehill has been kind enough to send some photos of his new Pro-Am 250 rig.  Thanks, Trevor!  (I'd mention his company name, but he didn't include it).

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Copyright (C) 2007 Alain Georgette / Copyright (C) 2006 Frantisek Hliva. All rights reserved.