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Author Topic: Videomaker - September 2007 - Camcorder Support Systems  (Read 1520 times)
HankCastello
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« on: August 10, 2007, 04:50:53 PM »

Videomaker Magazine - September 2007 - Camcorder Support Systems (pg 27)

I liked that Brian didn't do the usual thing and recommend super light tripods, and that he worked ball-levellers into his article, but his hit-or-miss coverage of tripods was a bit troubling.  This is probably due to VM's insistance on shotgun approach articles, trying to please everyone, which meant he could only devote so much space to each part of his article, or even perhaps that editors trimmed his article down.

For instance, although he talks a bit about legs, he says nothing about numbers of leg sections or types of release devices (knob; lever; etc.).

Much more troubling though is this..
Quote
For much of the work by beginning and intermediate producers, a smooth-action non-fluid head helps to provide some great-looking video.

Why should a beginner invest several times what a friction head costs, for a true-fluid head, after reading this?  In fact, Peterson fails to ever mention true-fluid heads or the fact that manufacturers have taken to calling friction heads with fluid lubricant "fluid heads" which necessitated the term "true-fluid heads" for those that are honest-to-goodness fluid heads.

I feel this one line may cause many newbies to buy cheap heads, for around a hundred dollars or so and when they are immediately disappointed and frustrated, it may take them weeks or months to save up for the decent head that they should have bought up front.

I suppose VM's advertisers will sell more this way - first the junk, then finally the real deal, but their readers deserve better advice.

So much for the tripod/head section - I'll read the rest of this article (and mag) a bit later.
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« Reply #1 on: August 11, 2007, 07:31:24 PM »

The article continues without a shred of useful info about dollies.  The part about jibs infers that all jibs mount to your tripod head, which is not true - some require removal of the head and mount directly to the legs like heads do.

But the worst part was this..
Quote
So if your pans are still a bit shaky, your tilts are a little jerky and your general camcorder movement is less than fluid, then you might be in the market for a new stabilization device (meaning Steadicam, Glidecam, Varizoom, etc.)


Take it from me - if you haven't yet figured out how to get smooth tilts and pans from your tripod, you are NOT ready for a Glidecam type device!  And if your tripod head is not a true-fluid head, and won't give smooth movements no matter how hard you practice, you are NOT ready to spend money on a Glidecam.

Glidecams are great, but you can shoot an entire professional wedding video from a good tripod/head system.  You cannot and should not shoot an entire wedding video from a Glidecam.  I'll extend that to cover documentaries and indie type films too.

(I have just been informed by my wife, that it MIGHT be possible to shoot an entire short-form wedding - if it's really short - from a steadi-type device, and have it come out just fine. OK, I'll give her that, but we're talking about ten minutes or so here, not much longer unless the video comes with Dramamine)
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